When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion. Your browser isn’t supported anymore. https://devinsvwzc.59bloggers.com/31595307/os-princípios-básicos-de-lo-fi-covers